Eventually, Jennifer is thoroughly raped and runs away into the woods barefoot and almost naked, and when they approach with a shotgun to eliminate her as a witness, jumps from a high bridge and disappears. The movie’s exploitation of his handicap is on a par with its cruel sadism. Otherwise, he crouches, whimpering in a corner. When the rape inevitably arrives, it is the hapless mental deficient Matthew ( Chad Lindberg) who is forced by the others to go first. Some, I am afraid, may be aroused or entertained by it. The true pornography in this film involves the dialogue and situation in the cabin before the physical assault. Indeed, if he enjoyed sex more, he might not be a rapist. Rape is a crime of violence, not sex, and the male rapist typically savors the fear he causes more than the sex. This is rape foreplay, and they stretch it out as long as they can. The fourth is mentally handicapped, and they treat him as their pet "retard." After many scenes involving alarming noises in the night and the usual Woman in Fear sequences, the men enter her cabin and terrorize her. One is their "ringleader." One is his sidekick. Of course that’s where Jennifer stupidly asks directions and reveals where she’s going to ignorant, leering phallus carriers. Once we know this, we start waiting for the gas station occupied by demented rednecks. The woman, Jennifer ( Sarah Butler), is a writer who rents a cabin in the woods where she plans to stay by herself.
That set aside, let’s see what this movie does. No one who commits a hate crime ever thinks his victim is innocent. The necessity of revenge is embedded in the darker places of our minds, and most hate speech is driven by "wrongs" invented in unbalanced minds. The ideal outcome would be two people unharmed in the first place. If you kill me, you have committed another one. First, let’s dispatch with the fiction that the film is about "getting even." If I rape you, I have committed a crime.
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